So that's what I think of "Hancock." I'd known that something huge was coming to the HoBo (as I've just renamed Hollywood Boulevard), but had assumed that it was road work or a large premiere or some other ho-hum celebrity nonsunse I've totally grown accustomed to. I couldn't have imagined that it was in some way all of those things, and I certainly couldn't have imagined that I'd somehow become involved in it without even trying.
On Monday morning, when I arrived at that section of the HoBo, something was most definitely up, and it wasn't the sky, but rather something large blotting out most of it. An enormous diffusion sheet was hanging from a giant boom attached to a small tank assuming its position in the middle of the street, and I don't know if you were there when the towers fell or your 7/11 became a Kwik-E-Mart, but there must have been the sense that this thing, this certain place that has been a certain way for as long as it's been part of your world, is suddenly another thing entirely, and it gives you chills to see. People, there shouldn't be people and camera equipment chilling out in the middle of the road, nor should the road be ripped up like somebody stopped a bus with his body and dug hisself three feet into the cement. Yet here was all of that, and there were huge rotating light-source panels twirling ominously on either side of the street, as slick-looking dudes and dudettes in sunglasses chirped into walkie-talkies to the rent-a-cops who rudely ushered pedestrians along the sidewalk and prevented rubberneckers from rubbing their necks while staring on in curiosity.
Looking back, I really must have become quite the jaded little something, because on my way home I'd forgotten there was a set there in the first place. Oh, “Hancock”? I passed on that script back when it was called "the first act of 'Spider-Man 3.'” And just when I was high-fiving myself for possessing the wit you can't buy on trees or something, that's when I saw Charlize Theron and Will Smith strolling in front of the Virgin Megastore, saw them with my very own eyes.


Now, it's difficult to relay the experience of a celebrity sighting as tippity-top as this, because the feeling rests on your actually seeing the person in three dimensions when until now they've existed only in two. But God help me, was I ever a lookie-loo, flipping out my cell phone and snapping away like a Harajuku girl on Western shores. Our girl Charlize and my boy Will were just strolling down the set and saying "hi" to fans on the other side of the street (of course), but an entire filmmaking apparatus cranked and whirred about these two tiny, tiny people that both highlighted the absurdity of movie stardom and underscored its supreme power. Here was a man and a woman (and probably Jason Bateman, somewhere), and here was also this entire operation so incredibly out of proportion to them, doing its multi-million dollar job to ensure that this acre of movieland was maintained for yet another blockbuster season. It was the strangest thing, and I wanted to be caught up in it at the same time I wanted to see the strangeness for what it was. I'd say I succeeded in doing both.
Cut to Wednesday, when I was very much over this whole industry and wanted filming to end so that I'd be accountable for less information when the time came to write this up. Girlfriend got herself a blended mocha for being so fly, then set out down the HoBo for Will's last chance to land some of this straight-up ghetto booty.
Since the sidewalks have always been open to pedestrians during filming (as indeed the signage assured us), I didn't think much of breezing past their flimsy barrier, and got about as far as the Disney Soda Shoppe before realizing that something was up, and it wasn't just the diffusion sheet. A real-live Panavision camera was set up against the wall, and operated on by a real-live person. Everyone here was wearing a badge. People with megaphones were telling other people to put their badges away. I heard snippets of conversation flit by, hurried mentions of "this is gonna be huge," and "put your camera away," and "if there was ever a time you didn't want to be caught on the sidewalk taking pictures because you might die, this is it." I put mine away so I wouldn't have to do the other thing.
In fact, I did try to leave. I got about twenty feet from the El Captian before my natural instincts to make myself as small and unobtrusive as possible kicked in. Basically, if I kept walking away, I'd stick out more than if I just ran back to the El Capitan and illegally showed up in a Will Smith movie. So that's exactly what I did.
And that's when a car exploded. And then another car exploded, and then several more cars flipped over when they were yanked backwards on steel cables, and smoke machines started pouring out smoke, and my last suspicions that anybody on the sidewalk was an actual pedestrian were dashed when they all started running and screaming from something I COULDN'T SEE. I looked on in fear from underneath the marquee at the El Capitan, and if ever in my life I experienced waves of chills from things in this world being not the way they should be, this was it. And if my shot ends up in the movie, and you see a clueless wiener in a blue checkered button-up looking like he has no idea why he’s in a Will Smith movie, well – that’s your friend, who finally made it onto the Walk of Fame. If only just on top of it.

